Life is tragedy, even your happiness is founded upon it.
The life drive is the strongest drive, a will to power that consumes everything in it’s path.
The life drive and the sex drive run parallel to each other, sometimes converging, other times fighting each other for supremacy. The result, so far, is unbeknownst to us, we can only act in it’s guise.
The sex drive can give you happiness, and sometimes that happiness requires a victim for it to flower. One man’s happiness is another man’s sadness.
It has happened to me, the sad part and the end of a friendship over a girl.
I cry everyday when I encounter greatness, the ever so deep emotions of loss, of people old and new and still gone, and of time spent then and now. But really I cry over the artistry of this meaningless life, it’s beauty of formless smells, sounds and memory and how it gives an indescribable feeling of a place and time of younger days. No more.
I cry everyday because now I’m sober, I can’t block out realness any more of the exquisite, pitched feelings of pity, misanthropically expressed this tsunami of nervous energy within me. This, I wouldn’t have any other way, being close to me, being something other than me, knowing there is value but not in what. Not in life, I say, not in the other, but in me….perchance.
I cry everyday because I am life, my tears are real just like my body is real, it’s me. The primacy of inner thinking is each of ours, legitimate only if you can act it out. Character is great, full of tragic possibilities, the chance to be history maybe, yet the chance to be you is even greater. Something worth crying for, something worth fighting for…something at least.
I cry everyday because of the impossibility of wholeness, the impossible straight path is not before us. No Faustian pact for me, I haven’t the honesty for the devil, you see. No prescription for the line of beauty, no scythe-like eye watching from the control room, no bony hand poking our pity. Nothing is finished and never can be, it is ecstatic transcendence, our fate for all thee.
It is a fact that In fact I believe That is factually correct That is factually incorrect In fact it’s this In actual fact Factually this is the situation That is factually wrong The facts are The fact of the matter is In fact The fact is I The facts are as follows FACT The fact is I said In fact I said These are the facts This is a fact I am in a position to provide facts I am in no position to provide facts What fact Am I in fact I missed that fact Is it a fact And that’s a fact This is not a fact
The original post of this prose poem formatted the paragraphs wrong messing up the flow of the prose. I’ve made a PDF version which presents the poem as intended enabling the correct cadence of reading, and, hopefully increases your enjoyment!
It takes time to distance far and low never in a recordable instance vast vast depths and unknown faces laughing at all the deaths like balloons full of air bang bang bang blows over there
space is deeper than we know it may be our instruments that only grow spinning wildly after incoming each one warps and shadows always becoming frozen in a jewel cannot move in time with the dancing duel
the horizon has breadth that we see as being between birth and death a hope for posterity tangible and fattened full of rotting verity being honest is unbecoming of a idea that doesn’t exist no matter all our fucking running
The mountains, the seas the sun and the moon, nothing changes so it seems, except everything changes now and forever, even the air that I breathe.
From this vantage many view points, I can live this day, day by day until my mountains are struck, torn down and ravaged my emotions run out and out further until I am new again.
The Lion has done his work, destruction and endings and entrails lie everywhere, all roots trace back into nothingness of meaning and source, of endless life’s lived in disinterest and dead senses, doomed to repeat.
Still emergence and appearance even silence is all, the widest and broadest view no contrast is too thick or too thin, and then out of the silence comes a song, a playful melody from long before sung by a dancing child, unencumbered and free.
The child plays and creates, building castles made of sand, dancing and falling the child builds anew until memory comes full circle and I know I’ve been here before, dancing in the eternal return of the same.